Heitor Villa-Lobos - Bachianas Brasileiras No.5 The Bachianas Brasileiras constitute a series of nine suites by the Brazilian composer Heitor Villa-Lobos, written for various combinations of instruments and voices between 1930 and 1945. They represent not so much a fusion between Brazilian folk and popular music on the one hand, and the style of Johann Sebastian Bach on the other, as an attempt freely to adapt a number of Baroque harmonic and contrapuntal procedures to Brazilian music (Béhague 1994, 106; Béhague 2001). Most of the movements in each suite have two titles: one “Bachian“ (Preludio, Fuga, etc.), the other Brazilian (Embolada, O canto da nossa terra, etc.).
Bachianas Brasileiras No. 5
Scored for soprano and orchestra of cellos (1938/45).
Aria (Cantilena) (lyrics by Ruth V. Corrêa) (Later arranged for solo soprano with guitar accompaniment by Villa-Lobos). This Aria is Villa-Lobos’s best-known work (Béhague 2001).
Dansa (Martelo) (lyrics by Manuel Bandeira)
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“A New Interconnected Order On Villa-Lobos Preludes“ by Douglas Lora recorded on 5 DIFFERENT GUITARS