Archaa (Archaia). Archaa (1977). CD, Album. France. Zeuhl, Progressive Rock.

1. Soleil Noir (4:35) 2. L’Arche Des Mutations (9:35) 3. Sur Les Traces Du Vieux Roy (5:03) 4. La Roue (2:34) 5. Le Festin Du Lion Vert (4:45) 6. Massa Confusa (3:21) 7. Le Grand Secret (4:21) 8. Vol Du Phénix (3:58) Total time 38:12 Bonus Tracks on 1998 CD remaster: 9. Armaggedon (4:23) 10. Robots Dans Le Formol (Live, Paris 1978) (4:13) 11. Chronos (Live, Paris 1978) (3:23) Bass – Michel Munier Composed By, Arranged By – Archaïa Cover – Michel Munier Drums – Patrick Renard (tracks: 10, 11) Guitar, Keyboards, Vocals – Pierrick Le Bras Liner Notes – M. Munier*, P. Le Bras* Percussion [Percussions], Keyboards – Alain Evrard (tracks: 10, 11) Reissue Producer [Reissue Produced By] – Soleil Zeuhl Remastered By [Digitally Remastered] – Franck Mercier Vocals, Keyboards, Percussion [Percussions] – Philippe Bersan (tracks: 1 to 8) Recorded and mixed Studio Archaïa, August 1977. Except: (9) Studio Archaïa, 1978 (10-11) live in Paris, 1978. Digitally remastered from the original master tapes, August 1998. Reissue produced by Soleil Zeuhl 1998 ℗ © c/o Alain Lebon Productions Liner notes: P. Le Bras/M. Munier, August 1998 Total time : ARCHAIA were a three piece band out of France who were influenced by MAGMA yet sound nothing like them. Yes there is a resemblance with the vocals(at times) but these guys put a unique spin on Zeuhl if that’s what you want to call this. Two of the guys play synths which is what makes this different. We get spacey synths, almost theremin-like synths but also growly ones too. The guitar is often distorted or high pitched but again different and there are no drums but there is percussion. The bass is excellent too by the way. The music is dark and adventerous, it’s what I would call innovative. “Soleil Noir“ opens with the sound of children along with strange sounds that slowly pulse and hover before this train-like rhythm arrives replacing both. Spacey synths join in and then vocals that remind me of AQUASERGE. Some raw guitar replaces the vocals but the vocals are back as they trade off. It ends like they began. “L’arche Des Mutations“ reminds me of HARMONIA with those higher pitched sounds as the bass pulses. Vocal melodies before 1 1/2 minutes then these high pitched crazy synths take over along with lower ones that hum. The vocal melodies are back then spoken words before it kicks into gear with distorted guitar, vocals and synths. A calm then the guitar lights it up after 3 1/2 minutes as the bass pulses. Vocals are back as themes are repeated. It’s really spacey before 5 minutes with synths then whispered words around 6 1/2 minutes. I like the guitar 8 minutes in as it starts to build, vocal melodies too. Spoken words turn to yelling. Intense. “Sur Les Trances Du Vieux Roy“ has these synths that hum as vocal melodies join in along with sounds that pulse and echo. Percussion joins in. It settles back. This is so cool. “La Roue“ has deep bass sounds, percussion and growly synths. Laughter comes and goes in this very unique sounding piece. “Le Festin Du Lion Vert“ is an uptempo track with both vocal melodies and vocals as sounds beat and pulse. A calm before 2 minutes with vocal melodies reminding me of MAGMA. There’s a Navajo vibe that comes in as we get chanting and percussion to the end. “Massa Confusa“ has a haunting intro with intricate sounds and water splashing. Some spoken words here as well before we hear a scream 2 minutes in as the soundscape turns eerie. The water sounds are back. “Le Grand Secret“ has spacey synths, bass, percussion, vocal sounds and guitar expressions. The spoken vocals before 1 1/2 minutes are brief as vocal melodies take over with bass, synths and percussion. Some brief spoken words are back at 2 1/2 minutes then the vocal melodies are back late. “Vol Du Phenix“ features percussion, bass and high pitched guitar to start. This is almost catchy. It changes before 2 minutes as spacey synths and picked guitar take over. It sounds like cars driving by to end it. I don’t usually comment on bonus tracks but these three are from 1978 and were recorded live in Paris and they are fantastic. We do get actual drums on the final two tracks plus keys too. “Armaggedon“ is very zeuhlish with the chanting and bass as it builds. It changes big time before 2 1/2 minutes with these haunting voices overwelming the previous soundscape until all you hear is the voices. So cool. “Robots Dans Le Formol“ has a killer rhythm to it with vocal expressions and spoken words. It’s intense a minute in with those powerful synths replacing the vocals. Keys join the rhythm 1 1/2 minutes in. The synths stop as the vocals return. Themes are repeated. “Chthonos“ has a catchy beat of drums and bass with guitar expressions and synths. This was an absolute pleasure and without question one of my favourites from 1977. Review by Mellotron Storm