Lizard’s Case - Nocturne

In this channel I show my take on algorithmic composition, or “generative music”, as Brian Eno named it. In essence this is a rule based interaction between a human creator and a creative machine. While Eno worked mainly in software, now with the renaissance of modular synths a whole new world of instruments, generators and timbres opened up for the synth artist, where the computer is bypassed. In the early 70ies Allen Strange already had showed algorithmic patch designs in his iconic book, and before that Peter Zinovieff experimented with simple random number generators taken from at that time giant size computers. Even Mozart threw the dice to get directions for his pieces. Phillip K. Dick oracled with I Ging to write new chapters for his “Man In The High Castle”, what we probably can call “random script generation”. I want do go from simple things to more complex (and perhaps back), exploring algorithmic dimensions of the modular for meta-ambient, post club music. PATCH NOTES below the Russian text. **