【Music Video】Escape / FANTASTICS from EXILE TRIBE

◆6/29(水)発売 New Single “Escape“ 商品詳細： 楽曲配信： 【Music Video Credit】 Special Thanks to Sae Okazaki 【STAFF CREDIT】 Director：TCM_NINO (IKIOIandGRANT/ZEN) Assistant Director：MASAO“KINOKO”SUGIURA Cinematography：TERUKUNI AJISAKA (ZEN creative) Key grip：SATOSHI YAMAUCHI (NKL) Electrician(Gaffer)：YUSUKE“Mighty”SHIMADA 1st assistant Electrician(Best Boy)：MASARU MASUDA Art(Production Designer )：TSUYOSHI”HIZABOY”UESAWA Art Department Coordinator：MASAHIRO”GORDON”ISHII Offline Editor：TCM_U2Pac (andGRANT inc.) Online Editor：MANAMI KISHI MA(Mixer)：TAKEYASU KOBAYASHI Post Production：STUDIO ONE Production Manager : MEGUMI NAKANISHI / TCM_YEAH MAN (andGRANT inc.) Producer : TCM_YOUKORIN (andGRANT inc.) Production : AND GRANT inc. Choreographed By SEKAI , NATSUKI 「Escape」はテレビ東京系 木ドラ24「花嫁未満エスケープ」エンディングテーマとして書き下ろした楽曲。感情を揺さぶるピアノ＆ストリングスの美しく壮大な音色に、諦めきれない一途な恋心を描いたドラマティックな王道バラード。 ミュージックビデオでは恋の深い苦悩に陥った女性の恋心を“迷路”にたとえて、鏡迷路を制作し撮影。ドラマ「花嫁未満エスケープ」で主演を務める女優・岡崎紗絵さんがミュージックビデオに出演！ 岡崎さんが迷路に迷い込み絶望して涙するも、再び勇気をだして一歩踏み出しそこから抜け出す姿を映し出しており、「迷っても最後は自分の意思で道を切り開く」ことを象徴的に表現しました。 振り付けに関しては、１番やラストサビを澤本夏輝が、２サビとDメロ〜感想を世界が担当。 カメラを女性に見立てた、女性をいざなうようなパフォーマンスもありますので是非ご注目ください！ Escape“ is a song written for the ending theme of TV Drama 24 “Bride Less Than Escape“ on TV Tokyo. The song is a dramatic royal ballad depicting a single-sided love that cannot be given up, with beautiful and magnificent piano and string sounds that stir emotions. For the music video, a mirror maze was created and filmed to compare the heart of a woman in deep anguish of love to a “maze“. Actress Sae Okazaki, who stars in the drama “Hanayome Miman Escape,“ appears in the music video! The music video shows Ms. Okazaki in tears of despair as she gets lost in the maze, but she gathers her courage again and takes a step forward to get out of it, symbolically expressing the idea of “getting lost but making your own way in the end by your own will“. As for the choreography, Natsuki Sawamoto was in charge of the first and last chorus, and Sekai was in charge of the second chorus and the D melody to the interlude. There is also a performance that uses the camera as if it were a woman, as if to lure women into the performance, so be sure to pay attention