Orchestra at Your Fingertips-Audio Modeling | NAMM 2024
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*ABOUT THIS VIDEO*
At the end of a long day at NAMM 2024, a very enthusiastic Doctor Mix swept me away to an Audio Modeling demo by Stefano Lucato (Founder/CEO). Emanuele Parravicini(Founder/ CTO) and Simone Capitani (Partner CXO). I was immediately re-energized when I heard the quality and expression level of sounds coming from the latest Audio Modeling software. I’ve been fighting orchestral samples in terms of latency, separate articulations, performance expression, decades. This software is light on the CPU, performs great and sounds very close to the real thing,
They are now offering a new feature, variable spacial placements in the room for all the instruments in each section of the orchestra. This feature adds a lot of dimension to the finished orchestra sound. I kept being more and more impressed in this video. Please check it out and let me know what you think.
Based on Audio Modeling’s exclusive modeling technology, SWAM String Sections is a truly innovative suite of four plug-ins, corresponding to the orchestra sections Violins, Violas, Cellos, and Double Basses, . They are capable of emulating orchestras of various sizes, from small chamber ensembles to large symphonic groups. SWAM technology provides instant access to natural orchestral articulations, and sections can be placed together in a virtual room to achieve authentic, blended acoustics. With real-time control over staccato, legato, expression, and more, it represents a revolution in orchestral arrangement and composition, allowing for seamless transitions between different styles and articulations without disrupting the creative flow.
00:00 Walk up
00:17 Intro
01:04 Saxophone
02:20 Flute
04:41 Trumpet
06:01 Solo Violin
09:05 Cello Section
10:00 Room & Instrument Position / Divisi
11:15 3 - 5 Celli Section
12:34 Every Instance is a completely different instrument in a different room position without phasing
14:17 Moving Celli around the room with multiple articulations
17:36 Con Sordino (mutes)
19:03 Pizzicato
19:36 String articulations
21:24 Algorithmic Reverb
24:30 Musical Example
28:18 Bowing & Phrasing
30:00 Audio Modeling vs Samples
31:08 French Horn Solo
32:49 Trumpet Solo
33:19 Anthony Plays Trumpet Solo
34:00 Conclusion
34:37 Logo (music)
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*ABOUT ANTHONY*
Anthony’s musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including _*Young Guns*_ , _*Internal Affairs*_ , _*The Man From Elysian Fields*_ , _*15 Minutes*_ and _*Planes, Trains & Automobiles*_ , been commissioned by the *Los Angeles Philharmonic* for his symphonic work “In the Family Way“, written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA’s premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as *Michael Jackson’s* _*Thriller*_ .
His extensive work as a young arranger, orchestrator and performer for *Quincy Jones* , *Jack Nitzsche* , *Lamont Dozier* , *Arthur Rubenstein* and *Giorgio Moroder* was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.
*Website* -
*Instagram* -
*Tiktok* - @anthonymarinellimusic
*Wikipedia* -
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