from The Ultimate Redux
Bolin was part of a studio session being fronted by the jazz-rock flutist Jeremy Steig and including Billy Cobham. It was the first time Bolin had met Cobham and led directly to his later inclusion on Spectrum. This version of Jan Hammer’s composition “Sister Andrea,“ later covered by the Mahavishnu Orchestra, was a demo that didn’t see the light of day until Tommy Bolin: From the Archives was released in 1996. Steig’s lead flute and Bolin’s spacey sound effects give the tune quite a different character than Mahavishnu’s interpretation. Some of those effects, in truncated form, would find their way onto Spectrum two years later. Though he doesn’t really let it rip, you can hear hints of Bolin’s future greatness here. He possessed the perfect guitar rough-but-not-sloppy sound for all future fusion superstars. Perla lays down a simple bassline in conjunction with Hammer’s slightly funky chords. Though this performance is enjoyable, it is
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