0:00 Cate Blanchett as Lydia Tár
2:10 Setting the scene
3:26 Bach’s C major prelude
5:05 Impression #1: First-Year Piano Student
7:16 Impression #2: Schroeder playing for Lucy
9:48 Impression #3: Glenn Gould
12:15 Actors playing pianists
14:26 Tár’s interpretation of Bach
17:54 Heinrich Schenker’s Bach analysis
19:18 Philip Ewell’s Schenker analysis
21:02 There’s a twist
23:41 “It’s not a film about result“
Learn Bach’s C major Prelude (and Fugue!):
Reverse Engineer Bach’s C major Prelude:
More on Schenker’s analysis of Bach’s C major Prelude:
Philip Ewell’s article “Music Theory and the White Racial Frame“:
WATCH TÁR: ÁR-Cate-Blanchett/dp/B0B6VGNW3T
Producer, writer, editor: Ben Laude
Pre-production assistant: Will Storie
Post-production assistant: Robert Fleitz
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