Working with ProRes RAW in Final Cut Pro

In this video, Mark covers how to configure both your camera and the Atomos Ninja V for recording ProRes RAW, then how to use those files in Final Cut Pro for the ultimate in image control. Chapter Index Below: 00:00 - Start 01:06 - Disclaimers 03:18 - Required gear 05:46 - Setting up your camera 08:51 - Setting up the Ninja V 13:36 - Does ISO matter? 16:51 - No transcoding needed 17:46 - ProRes RAW file size 19:29 - Setting RAW to Log Conversion and Camera LUT 21:15 - Changing ISO 22:31 - Color temperature 23:26 - Adding HDR RAW clips to an SDR timeline 24:45 - Understanding Ninja 16:9 Cropping 26:08 - Grading RAW vs. XAVC 30:17 - 12-bit ProRes RAW vs. 10-bit XAVC 32:41 - ProRes RAW and noise 36:59 - Closing thoughts The DP Journey - ProRes RAW Part 1: The DP Journey - ProRes RAW Part 2: Gerald Undone Ninja V Setup - #FCP #ProResRAW #Atomos