GRID WARP II: KILLZONE (Visual Album - Compilation - Various Artists)

Featuring: Off World Soundsystem, Mingkurray, Clear State, Room 208, Neckbomb, Cyber Crash 2000, 碳凤凰 (Carbon Phoenix) The following excerpt is taken from ‘An Encyclopaedia of Asian Sci-fi, 1980-2000’ (2022), Han Publishing (Translated from Korean). Grid Warp II: Killzone (1995) dir. Pak Nam-Gyu The cyberpunk classic that never was. In mid-1995 Pak signed a contract to write and direct an English language movie in Hong Kong. Pak was outwardly apathetic about his return to Asia although he confided to his uncle that he took his failure in LA personally. Pak’s new project was funded by various shell companies linked with organised crime, likely Triad gangs, along with some ex-employees of Tomas Tang’s Filmark International. Bizarrely it seems that Pak convinced financiers he had previously written and directed a cult hit in America entitled ‘Grid Warp: Techno Rites’. Pak had sold his project on the premise that there was an instant audience in the burgeoning American “cyberpunk’’ culture who were familiar with the original, not to mention significant European sales. Why this transparent lie was not uncovered by the financers is unclear. It has been suggested that Filmark head, Tomas Tang, was a fan of Pak’s early work and let the lie go unchallenged to allow Pak to keep face. Others have suggested that the money men knew that sequels were highly profitable and wished to see if it made financial sense to simply skip the initial instalment. Regardless, Grid Warp II: Killzone joined a niche group of sequels that have no preceding chapter and Pak had the green light to start work on his first full-length English language feature. One that sadly, never was. Early shooting was plagued by crew walkouts blamed on everything from bad-faith contracts to Pak’s relentless work ethic. Cash-flow issues meant delayed wages and cut corners on set; both cast and crew were unsettled by rumours of Filmark International’s financial collapse. Even with shooting complete, Pak and the financiers fought on a range of issues dragging out production for several years, not least the musical score. Initially Pak had pushed for a reunion with long-time collaborator and university friend Lee Hae-Dong. The financiers however baulked at the time and costs involved, preferring to licence existing American pop and rock music, arguing that it would broaden the appeal of the movie in America. Pak refused and considered walking out on the project entirely. Instead, at the suggestion of Tang, he reached out to composer Richard Band (Brother of Charles Band) in America. Band was unable to commit the time needed, but he put Pak in touch with a group of anonymous composers networking within the new virtual spaces of the burgeoning internet. Many of these unknown artists were fans and sent Pak multiple tracks along with messages of support and encouragement. Emboldened by the response, Pak re-edited scenes to better complement the music. With the movie wrapped, the financiers and Tang were convinced that Pak had made something special; money was found to bolster the advertising campaign and there was talk of a national distribution deal in the USA. Then, without warning, disaster hit; the notorious 1996 Garley Building fire broke out destroying the Filmark office, killing Thomas Tang and at least forty other occupants of the building. The other significant losses were original Filmark canisters, editing equipment, promotional materials and the only known prints of Grid Warp II. Movie fans across the globe will forever be worse off for the tragic loss of Tang, his team and so much of his legacy, of which Grid Warp II was just a part. ------------------------ Plot Synopsis Taken from a press-release located in the basement of a defunct Lebanese cinema. In 2151, the effects of a mysterious virus have pushed society to the edge. Rioting, looting and random acts of violence go unchecked. The Enforcers have abandoned the outer districts to focus their resources on protecting the Mega-Towers of the rich and powerful. When a data-heist goes horribly wrong, Graylock, an elite Netrunner, finds himself trapped in enemy Syndicate territory. Unable to return to safety via the battle-torn streets, Graylock takes to the rooftops in a bid to reunite with his scattered team. High above the burning city Greylock meets a half-dead Razorgirl smuggling data which suggests that the virus may not be all that it seems. Greylock is rapidly drawn into an ever-widening conspiracy involving corporations, the media and government that cuts to the very heart of a rotting nation. Bandcamp codes: vaya-3wxg 99kg-x4a3 z33z-ears 3vvz-u2cl w9gk-jh4e ctuu-kee3 k5l4-xt7f gk6p-x53q 3nyb-5rdz 5akm-bsxg 86y9-xla3 t3uk-eers 2a5k-ubcl xhp2-7u97 jefd-vv6v 7rdc-k8t9 ml4q-gfuz 9epf-3mm6 whq3-uf97 eqrl-jq6v brl4-ktt9 axsj-gnuz 8eq7-3jm6 q2vv-6n3s bxg6-kjll w4t2-g65e