In the 1980s a new generation of pirate radio stations exploded on to Britain’s FM airwaves. Unlike their seafaring swinging 60s forerunners, these pirates broadcast from London’s estates and tower blocks to create a platform for black music in an era when it was shut out by legal radio and ignored by the mainstream music industry.
In the ensuing game of cat and mouse which played out on the rooftops of inner-city London across a whole decade, these rebel DJs used legal loopholes and technical trickery to
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