The preface to this set by the composer:
The cycle of 24 preludes I am calling your attention to was
conceived long ago and is mainly intended to be used in
educational practice for the students of colleges, lyceums and
conservatories. I didn’t aim at the creation of the musical
anthology of the history of jazz. First of all, I wanted young
musicians to get acquainted with different directions of pop and
jazz music regardless of their tastes and likes. Also I wished
the music of preludes to be popular both among performers and
listeners.
In the preludes one can recognize intonations of both
traditional classical jazz (blues, swing, boogie-woogie, ragtime)
and modern jazz styles (cool, bebop), as well as the intonations
of jazz-rock, bossa nova and other instrumental pop music.
Preludes was written under the impression of music of the
great jazz musician Bill Evans and is devoted to his memory.
These compositions are not to be perceived as the
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