Mahler - Symphony No. 2 “Resurrection“ (.: Bruno Walter, New York Philharmonic / Remastered)
Gustav Mahler (1860-1911) Symphony No. 2 “Resurrection“ by Bruno Walter
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Symphony No. 2 “Resurrection“ IMG 8
00:00 I. Allegro maestoso (Remastered 2023)
21:36 II. Andante moderato (Remastered 2023)
32:11 III. In ruhig fliessender Bewegung (Remastered 2023)
42:56 IV. Urlicht (Remastered 2023)
47:09 V. In Tempo des Scherzos, Kräftig, Langsam Misterioso (Remastered 2023)
Contralto: Maureen Forrester
Soprano: Emilia Cundari
The Westminster Choir
New York Philharmonic
Conductor: Bruno Walter
Recorded in 1958, at New York
New mastering in 2023 by AB for CMRR
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Bruno Walter was a German-born conductor (born September 15, 1876 in Berlin and died February 17, 1962 in Beverly Hills). In 1938 he moved to the United States, where he conducted the major American orchestras, and in 1949 he was appointed permanent music director of the New York Philharmonic Symphony Orchestra. He became a naturalized American citizen in 1946.
Bruno Walter was one of the founders of the Salzburg Festivals, where he frequently took the baton as conductor. He was also invited to give numerous concerts in European countries, including the Edinburgh Festivals with the Vienna Philharmonic.
About his role as a conductor, he said: “I am only a musical letter carrier and, as such, I must ensure that my musical letters reach their destination. He is an opponent of atonal music: “I have tried to understand this music. I have often listened to it, but I cannot take any pleasure in it, and I only like the music I take pleasure in. Perhaps one could say that it is interesting. This reminds me of a remark of Mahler’s: he asked my opinion about a new opera and when I answered that I found it interesting, he said: ’It is easy to be interesting, but extremely difficult to be beautiful.’
Bruno Walter is not a conductor who likes to make an impression, but he is renowned for the poetic and thoughtful quality of his performances. He is an incomparable interpreter of the music of his master Gustav Mahler. He gave his last concert in December 1960 with the Los Angeles Philharmonic and pianist Van Cliburn. His trademark was a calm approach to conducting, calling the musicians “his friends“ and never placing himself as an authoritarian conductor. Videos show him conducting his musicians with empathy, a very lively and expressive gaze, his left hand very active.
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