How would an architect come to terms with both critical praise from the elite alongside extreme criticism from those that had to live within and alongside the cold, raw concrete structures presented to the public as living spaces?
Born from a combination of urgency, practicality and idealism but what can be deemed a success, what can be cited as valuable, what can be salvaged or redeemed and if anybody is to blame, who should take the blame, the public for not living up to the expected ideals of modern living or the dreamers of dreams that not everybody shared?
Inspired by the musical approaches of John Foxx, Krautrock and Thomas Dolby
Music video by Nate Horn:
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