By Teymur Daimi
The surrounding world is filled with electro-magnetic eradiation of the various frequencies of fluctuation. What is being observed by our eyes is called seeable light. There are seven distinguished main spectral colors: red, orange, yellow, green, blue, dark blue, purple. And this is only 2 per cent from the total electro-magnetic diapason. Therefore, we are practically blind.
This non-narrative film is presenting the sequence of seven color field changes which compose the visible spectrum. In its turn the spectrum is the perceptible metaphor of our world-everything we see is concluded into the spectral format, or in other words is limited by this format.
In this movie the spectrum is being reduced to its plazmatic status that is semi-transparent condition because plazma as the fourth state of matter after solid, liquid and gaseous is in transition state from visible to invisible. Therefore, the semi-transparent plain color fields allow us to perceive it on the surface of the screen barely noticeable but expandable structural modulations of invisible world in the temporal mode of the that the main “hollow player” in this situation is the Screen as absent presence which accommodates the spectral mode of visible and indefinite (for/trance/spectral) mode of invisible in “its own” void.