With ’Hands do not touch your precious Me’, Wim Vandekeybus goes in search of an unspoken, ever-changing primal truth. For this new creation, he collaborates with the composer Charo Calvo, eight dancers and – for the first time – the performer and visual artist Olivier de Sagazan. Together they make living, fleshly sculptures hover between the utopian and the gruesome, the powerful and the fragile. The artists are inspired by the myths about the Sumerian goddess Inanna, especially by her spectacular descent
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