n this film, Nigel Woodhouse introduces the banjo. The banjo is a rare visitor to the orchestra, but has been used by composers in the 20th century onward to evoke American folk music and jazz especially.
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TABLE OF CONTENTS
00:00 Intro
00:24 Orchestral extract: Weill, Threepenny Opera, Cannon Song
00:35 Origins, from the slave trade to Jazz
01:10 Nigel’s banjo
01:38 The construction of the banjo
02:24 Tuning the strings
02:52 Frets
03:11 Different playing styles
03:42 The five-string banjo
04:07 Irish tenor banjo
04:40 The banjo in the orchestra
04:56 Orchestral Extract: G Gershwin, Theme from Rhapsody in Blue
05:07 Jazz colour in the orchestra: Shostakovich, Weill and Gershwin
06:12 Orchestral Extract: John Adams, Gnarly Buttons
06:26 Bartok pizzicato
06:47 Orchestral extract: George Benjamin, Sometime Voices
06:54 Banjo in the orchestra: Challenges
07:20 Tips on findi
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