J.S. Bach: Auf Christi Himmelfahrt allein, BWV 128 - The Church Cantatas, Vol. 175
Cantata 128 ‘Auf Christi Himmelfahrt allein’ has, by reason of its performance on Ascension Day 10 May 1725, a festive instrumentation including brass. The work requires three soloists (alto, tenor and bass), four-part choir, two oboes d’amore, oboe da caccia, two horns and a high trumpet. The latter instrument plays a most illustrative role in the bass aria No.3, underlining the words ‘auf, auf, mit hellem Schall’. Although Bach included this cantata in the cycle of chorale cantatas it is really an ‘odd man out’, since it is based not on one but on two chorales: the opening chorus and the final chorale employ different melodies. In the opening chorus the orchestra comes into its own in jubilant and energetic semiquaver writing. In the earlier-mentioned aria No.3 Bach has a surprise in store when, before the final ritornello, he inserts an unexpected accompanied recitative. The charming duet No.4 in rocking 6/8 time has a most appropriate oboe d’amore part. The work ends with a simple chorale.
Composer: Johann Sebastian Bach
Artists: Netherlands Bach Collegium, Pieter Jan Leusink (conductor), Holland Boys Choir, Nico van der Meel (Tenore), Bas Ramselaar (Basso) & Sytse Buwalda (Alto)
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Tracklist:
Auf Christi Himmelfahrt allein, BWV 128:
00:00 I. Coro. Auf Christi Himmelfahrt allein (Coro)
05:10 II. Recitativo. Ich bin bereit, komm, hole mich (Tenore)
05:56 III. Aria. Auf, auf, mit hellem Schall (Basso)
09:27 IV. Aria. Sein Allmacht zu ergründen (Alto, Tenore)
16:33 V. Choral. Alsdenn so wirst du mich (Coro)
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