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Written across the decades of his long and industrious career, Telemann’s oboe concertos vary considerably in musical terms, yet they are always distinguished by his apparently effortless feeling for melody and grateful writing for the soloist. His language is instantly identifiable and unique to him: although it certainly belongs to the Baroque age, it also contains hints of the Classical style, and in particular the style galant.
Three concertos here date from the 1720s, a highly productive period for the composer, which was spent in Frankfurt and then Hamburg. He had written in 1718 that he had no great enthusiasm for the genre of concerto, but that reservation should probably be interpreted as a distaste for the ostentatious dis
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3 months ago 00:12:34 1
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