LIVE IN ETHNO KRAKOW, 9 july 2015
NOMADIC VOICES
THE SONGS OF SARDINIAN TENORES AND THE DIPHONIC MONGOLIAN CHANT
CUNCORDU E TENORE DE OROSEI MEETS MONGOLIAN SINGERS TS. TSOGTGEREL ET N. GANZORING
In the heart of countryside still considered sacred, the harsh beauty of the Sardinian mountains meets the vast steppes through the polyphony of the Tenores and Khoomii overtone chants.
Within the confines of the sacred and the profane, somewhere between liturgy and peasant celebrations, these voices resonate in the heights of Sardinian mountains.
It is there that the beauty of a pastoral culture is still to be found. The Sardinian polyphonies date back to the Nuragic age when these nuraghi or round towers were built, in the form of truncated cones.
These megalithic edifices remain the symbol of this age between 1900 and 730 years BCE (between the bronze and iron ages).
Beyond these towards other mountains equally sacred since prehistoric times, those of the Gobi-Altai steppes, where th