Olivier Messiaen (1908 - 1992), Preludes pour piano (1929)
Performed by Hakon Austbo
00:00 - No. 1 La colombe
02:03 - No. 2 Chant d’extase dans un paysage triste
09:16 - No. 3 Le nombe léger
10:59 - No. 4 Instants défunts
15:23 - No. 5 Les sons impalpables du rêve
19:08 - No. 6 Cloches d’angoisse et larmes d’adieu
26:30 - No. 7 Plainte calme
29:46 - No. 8 Un reflet dans le vent
The eight Preludes were published in 1929, while Messiaen was still a student, at the instance of Paul Dukas. While the titles sometimes suggest Debussy, the music itself shows considerable originality. The first of the set, La colombe (The Dove), is evocative in its binary form, the second half repeating the first until the final gentle ascent, a charactcristically symmetrical piece. Chant d’extase dans un paysage triste (Song of Ecstasy in a Sad Landscape) is similarly clear in structure. The opening section, presented simply at first, frames a chordal section
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