Bellini - La Sonnambula Opera - Ah! non credea mirarti (Maria Callas - : Antonio Votto)
Vincenzo Bellini (1801-1835) La Sonnambula - Opera in Due Atti.
ATTO PRIMO / ACT ONE / ERSTER AKT / PREMIER ACTE
Click to activate the English subtitles for the synopsis (00:00-04:29)
Prima Scena/Scene One/Erste Szene/Première Scène
00:00 ‘’Tutto è gioia, tutto è festa... “ (Lisa/Coro/Alessio)
06:08 ‘’ln Elvezia non v’ha rosa“ (Coro/Alessio/Lisa)
09:00 Recit: “Care compagne’’ (Amina/Coro)
11:09 Aria: ‘’Come per me sereno...“ (Amina)
“Sempre, o felice Amina“ (Tutti)
14:11 Cabaletta: “Sovra il sen la man mi posa...“ (Amina/Tutti)
16:48 ‘’lo più di tutti, o Amina’’ (Alessio/Amina/Lisa/Teresa)
19:07 Arietta: ‘’Perdona, o mia diletta“ (Elvino/Amina/Notaro)
21:52 Duetto: “Prendi: l’anel ti dono“ (Elvino/Amina/Tutti)
27:08 ‘’Scritti nel ciel già sono...“ (Coro)
“Ah ! vorrei trovar parole“ (Amina/Elvino/Tutti)
31:08 ‘’Come noioso e lungo il cammin“ (Rodolfo/Lisa/Tutti)
32:02 Recit/Aria: “Il bosco! (Rodolfo/Tutti)
“Vi ravviso, o luoghi ameni“ (Rodolfo)
Cabaletta: “È gentil, leggiadra molto“ (Rodolfo/Lisa/Elvino/Coro)
37:12 ‘’Contezza del paese“ (Elvino/RodolfofTeresa/Lisa/Coro)
40:17 Coro: “A fosco cielo, a notte bruna“
44:27 ‘’Basta così. Ciascuno si attenga“ (Rodolfo/Teresa/Elvino)
46:12 ‘’Elvino! E me tu lasci“ (Amina/Elvino)
48:28 Duetto: ‘’Son geloso del zefiro errante“ (Elvino/Amina)
Seconda Scena/Scene Two/Zweite Szene/Deuxième Scène
54:08 ‘’Davver, non mi dispiace“ (Rodolfo/Lisa)
58:47 ‘’...“ (Amina/Rodolfo/Lisa)
1:00:44 ‘’O Ciel! che tento?’’ (Rodolfo/Amina)
1:04:50 Coro: “Osservate: l’uscio è aperto“
1:08:19 ‘’È menzogna“ (Elvino/Coro/Lisa)
1:10:25 Finale: “D’un pensiero e d’un accento“ (Amina/Elvino/Coro/AlessiofTeresa)
ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIÈME ACTE
Click to activate the English subtitles for the synopsis (1:17:29-1:20:30)
Prima Scena/Scene One/Erste Szene/Première Scène
1:17:29 Non Piu Nozze
1:23:20 Coro: “Qui la selva è più folta ed ombrosa“
1:27:55 ‘’Reggimi, o buona madre“ (Amina/Teresa)
Duetto: “Vedi, o madre...è afflitto e mesto...“
1:31:20 “Viva il Conte!“ (Coro/Elvino/Amina/Teresa)
1:32:47 Aria: “Ah! perchè non posso odiarti“ (Elvino/Teresa/Coro)
Seconda Scena/Scene Two/Zweite Szena/Deuxiéme Scène
1:34:42 ‘’E fia pur vero, Elvino“ (Lisa/Elvino/Rodolfo/Alessio/Tutti)
1:36:45 ‘’Signor Conte, agli occhi miei“ (Elvino/Rodolfo/Coro/LisafTeresa/Alessio)
1:41:09 ‘’Signor?... che creder deggio?“ (Elvino/RodolfofTeresa/Tutti)
1:43:56 Recit: “Oh! se una volta sola“ (Amina/Rodolfo/TeresafTutti)
1:49:28 Aria: “Ah! non credea mirarti“ (Amina/Elvino)
1:54:11 ‘’No, più non reggo“ (Elvino/Amina/Rodolfo/Coro)
1:56:26 Cabaletta: ‘’Ah! non giunge uman pensiero…’’ (Finale)(Amina/Tutti)
IL CONTE RODOLFO: NICOLA ZACCARIA
TERESA: FIORENZA COSSOTTO
AMINA: MARIA CALLAS
ELVINO: NICOLA MONTI
LISA: EUGENIA RATTI
ALESSIO: GIUSEPPE MORRESI
UN NOTARO: FRANCO RICCIARDI
CORO E ORCHESTRA DEL TEATRO ALLA SCALA Dl MILANO
(Maestro del coro: Norberto Mola)
Direttore: ANTONINO VOTTO
Registrato in collaborazione coll’ E.A. Teatro alla Scala, Milano (1957)
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LA SONNAMBULA AND CALLAS. In several respects La Sonnambula is one of the more surprising operas to find in Callas’s repertoire. Her stage presence, for one thing, had normally a grandeur about it and, by 1955 when she first sang the part, a sophisticated elegance, both foreign to the simple village girl she plays here. Vocally, Amina is associated with light, pretty voices of the Galli-Curci or Toti dal Monte type and neither of those delightful singers could easily be thought of in Callas’s great role of Norma, any more than her predecessors in that role, such as Rosa Ponselle or Gina Cigna, could very well be billed as Amina. It is true that Bellini wrote both roles for the same singer, Giuditta Pasta, and in the same year too; true also that most of the leading nineteenth-century sopranos sang both parts without seeming to court disaster. Still, in Callas’s time it was a daring step to take, and among her admirers there must have been many who echoed the prayer of the villagers as Amina crosses the water-mill bridge: ’Bontä divina, guida I ’errante pie!.’ ...
*** Full presentation: see the first pinned comment. ***
Bellini - Norma, Casta Diva / Presentat° New Mastering (Maria Callas, Ct. record.: 1954):
Giacomo Puccini & Vincenzo Bellini PLAYLIST (reference recordings) :
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