Pieter-Jan Belder is one of the world’s foremost keyboard players, with an astonishing number of CD’s to his name: the complete Scarlatti Sonatas, Bach keyboard works, Rameau, Soler, Duphly, Marais, CPE Bach, Corelli, Purcell, Telemann, the complete Fitzwilliam Virginal be continued. Critics praise his versatility, his innate feeling for style, his impeccable technique: “Superb keyboard artistry and consummate technique”(MusicWeb), “alive, fresh-sounding and thoroughly engaged..” (Fanfare), “The most vital Bach performances of the moment” (Volkskrant).
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Pieter-Jan Belder (1966) studied recorder with Ricardo Kanji at the Royal Conservatorium of The Hague, and harpsichord with Bob van Asperen at the Amsterdam Sweelinck Conservatorium. He has persued a flourishing career as harpsichordist, clavichord player, organist, forte-pianist and recorder player.
He has appeared at many international festivals, such as the Festival Oude Muziek Utrecht, the Berlin Musikfest, the Festival van Vlaanderen, the Festival Potsdam Sans Souci, Bremen Musikfest and the Leipzig Bachfest.
He regularly plays solo recitals, and is also very much in demand as a continuo player with such ensembles as the, The Orchestra of the Eighteenth Century, Camarata Trajectina, Bach Collegium Japan, Gesualdo Consort Amsterdam, and the Netherlands Bach Society, and has been working with conductors such as Frans Brüggen, Ton Koopman, Masaaki Suzuki, Jos van Veldhoven and Philippe Herreweghe, amongst others. Belder has also accompanied soloists such as Johannette Zomer, Nico van der Meel, Harry van der Kamp, Sigiswald Kuijken, Rémy Baudet, Rainer Zipperling and Wilbert Hazelzet. Belder conducts his own ensemble Musica Amphion.
In 1997 Pieter-Jan Belder was awarded the third prize at the Hamburg NDR Music Prize harpsichord competition. In 2000 he was winner of the Leipzig Bach harpsichord competition. In 2005 he made his debut as a conductor in the Amsterdam Concertgebouw, and was since then regularly conducting productions with soloists such as Michael Chance and Sarah Connolly (Dido & Aeneas) and the choir Collegium Vocale Gent.
Full track list can be found in the comment section.
00:00:00 English Suite No. 1 in A Major, BWV 806
00:26:38 English Suite No. 2 in A Minor, BWV 807
00:50:42 English Suite No. 3 in G Minor, BWV 808
01:10:24 English Suite No. 4 in F Major, BWV 809
01:31:48 English Suite No. 5 in E Minor, BWV 810
01:54:15 English Suite No. 6 in D Minor, BWV 811
02:23:36 French Suite I in D Minor, BWV 812
02:40:10 French Suite II in C Minor, BWV 813
02:55:50 French Suite III in B Minor, BWV 814
03:11:16 French Suite IV in E-Flat Major, BWV 815
03:26:45 French Suite V in G Major, BWV 816
03:46:18 French Suite VI in E Major, BWV 817
04:02:46 Suite in E-Flat Major, BWV 819
04:19:22 Suite in A Minor, BWV 818
04:33:47 Partita No. 1 in B Flat Major / B Dur, BWV 825
04:53:43 Partita No. 2 in C Minor / C Moll, BWV 826
05:15:09 Partita No. 6 in E Minor / E Moll, BWV 830
05:48:14 Partita No. 3 in A Minor / A Moll, BWV 827
06:11:00 Partita No. 4 in D Major / D Dur, BWV 828
06:44:46 Partita No. 5 in G Major / G Dur, BWV 829
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