Sorting through obscure sources and decades of conflicting rumors to finally identify the ultra-wide lens used to shoot Wong Kar-wai’s Fallen Angels.
Places to follow me:
twitter:
letterboxd:
World of Wong Kar Wai | Criterion’s Controversial Remasters vs. Original Blu-ray Releases:
The Matrix and How Bad Remasters Happen:
Works Cited:
“It’s All About Trust.“ Cinema Papers, No. 111 (, 62-63), Aug. 1996
Teo, Stephen. “Johnnie To and the Hong Kong Action Film.“ (, 259), 2007
Gary. “A Coin of Wong Kar-wai.“ City Entertainment (Hong Kong) No. 427 (), 1995
Brunette, Peter. “Wong Kar-wai.“ (, 62, 116, 144), 2005
Links:
Part 1: An Introduction
“Fallen Angels“
“Not back to the future, but ahead to the past“
“Wong Kar Wai’s “Fallen Angels“ and non-fisheye lenses“ (Jan. 16, 2013)
“Gel/lighting choice for dream sequence in bathroom: tips/advice?“ (July 28, 2015)
“Are Wong Kar-wai’s new 4k restorations better than the originals?“
Part 2: The
“Anyone have any info about the lens(es) used by Christopher Doyle on Wong Kar Wai’s ’Fallen Angels’?“ (r/cinematography, Aug. 22, 2018)
“Zoom lenses...“ (Jan. 21, 2004)
Cinema Papers, No. 111
“Repair: Cine-Nikkor f/1.9“ (Apr. 14, 2021)
“Cine-Nikkor“ (lens series brocure)
Part 3: Kinoptik
“Film Products from Century Precision Optics“ (Sep. 1, 1995)
Carvalho. “The ambivalent identity of Wong Kar-wai’s cinema.“ (, 243), 2009
Motion Picture Lens Database
Part 4: The
Protsenko. “The Emotional Cinema of Wong Kar-wai“ (, 156), 2018
“Fallen Angels in the city of metaphors“ (Feb. 28, 2014)
Part 5: Deductions & Conclusions
Vantage Lens Table (Nov. 2014)
Century Kinoptik Product Info
Additional vids:
Media Division: Legendary cine lenses on a budget – Zeiss Super Speeds vs Contax Zeiss
BBC: Moving Pictures (with Wong Kar-wai & Christopher Doyle)
A Beautiful Evening (Fallen Angels featurette)
Timestamps:
00:00 Opening
00:40 Lens primer
03:37 An Introduction
04:48 The
08:51 Kinoptik
13:10 The
15:07 Deductions & Conclusions
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