藝苑掇英 Konstantin Yuon 康斯坦丁·由安 (1875 - 1958) Realism Impressionism Russian

tonykwk39@ Konstantin Fyodorovich Yuon or Juon (Russian: Константи́н Фёдорович Юо́н; October 24 [O.S. October 12] 1875 – April 11, 1958) was a noted Russian painter and theatre designer associated with the Mir Iskusstva. Later, he co-founded the Union of Russian Artists and the Association of Artists of Revolutionary Russia. Yuon was born in Moscow to the family of a banking clerk of Swiss-Russian origin (the surname Juon being of Walser origin[1]). His brother Paul Juon was a notable composer. From 1892 to 1898 he studied at the Moscow School of Painting, Sculpture and Architecture where Konstantin Savitsky and Konstantin Korovin were among his distinguished teachers. After graduating from the Moscow Art School he took private lessons from Valentin Serov (1898–1900). During several trips to Western Europe, particularly in Paris, he became acquainted with the cityscapes of Camille Pissarro and other Impressionists, but retained his own distinctive style. Konstantin Yuon started as an Impressionist landscape and genre painter with a Symbolist note. The most Symbolist of his works are the cycle of engravings Creation of the World on the theme of Genesis (1908–1912) and the painting New Planet that shows the October Revolution as the result of a cosmic catastrophe. Among the impressionist landscapes are The Tverskoy Boulevard and To the Trinity (both from 1903). Later he toyed with the ideas of lyrical landscape mixed with the imitations of Palekh miniature and Icon arts. To the end of his life he became a strict social realism artist, producing paintings like Parade on the Red Square on November 7, 1941. 康斯坦丁·費奧多羅維奇．由安·（俄語：КонстантинФёдоровичЮон; 10月24日[O.S. 10月12日] 1875 - 1958年4月11日）與和平號Iskusstva相關的著名的俄羅斯畫家和戲劇設計師。後來，他創立的俄羅斯藝術家聯盟和革命俄羅斯美術家協會。 YUON出生於莫斯科的家庭在瑞士的俄羅斯血統的銀行業務員（即瓦爾澤原產姓咒怨[1]）。他的哥哥保羅咒怨是一個值得注意的作曲家。 從1892年至1898年，他就讀於繪畫，雕塑莫斯科學校建築，其中康斯坦丁Savitsky和康斯坦丁柯羅文是他尊敬的老師之一。從莫斯科藝術學院畢業後，他花了來自瓦倫丁·謝羅夫（1898-1900）私人的經驗教訓。在多次前往西歐，特別是在巴黎，他結識了畢沙羅和其他印象派的城市景觀熟悉，但保留了自己獨特的風格。 康斯坦丁YUON開始作為一個印象派景觀和風俗畫家用象徵音符。他的作品中最象徵是世界版畫創作創世記主題（1908-1912）和繪畫新的行星，顯示十月革命作為一個宇宙大災難結果的週期。 其中印象派風景畫是Tverskoy大道和三位一體（均為1903年）。後來，他一邊擺弄著抒情景觀Palekh微型和圖標藝術的模仿混合的想法。為了他的生命結束時，他成為了一個嚴格的社會現實主義的藝術家，在1941年11月7日生產像遊行紅場畫作。