Skull painting lesson. Part 2.

So, we keep going. I ’ve refined our skull. What I did: I smoothed the crossings, keeping peak light spots on our skull. So did the shadows - darker, almost black places in the peak shadows and depressions of the skull. Now I take green from Vallejo and pass them easily through the dark parts of our skull. I add water to the brush. Then we mix the basic and our light tone and smooth the transitions. Then we add to the basic black and work out shadows at the nose hole and smoothly stretch it to the teeth, as well as along the nose. Take the black color and draw a clearer nose hole. The partition in the nose is painted with a darker tone. Next we take the white Vallejo and add 71 to our colour. 107 I draw peak highlights on the skull - the lightest parts, stretching acrylic. If you like a darker bone you can not make the skull lighter, but remember that the acrylic will grow a little later and become even darker. I didn ’t cut the rivets - I want to process this place a little later. Let&#