King Crimson - Happy With What You Have To Be Happy With
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HAPPY WITH WHAT YOU HAVE TO BE HAPPY WITH
And when I have some words
This is the way I’ll sing
Through a distortion box
To make them menacing, yeah
Yes, I’m gonna have to write a chorus
I’m gonna need to have a chorus
And this would seem to be as good as any other place to sing it till I’m blue in the face
And for a second verse
Of terse economy
I’ll brew another pot
Of ambiguity, yeah
Then I’m gonna have to write a chorus
We’re gonna need to have a chorus
And this would seem to be as good as any other place to sing it till I’m blue in the face
Yes, we’re gonna need to have a chorus
I’m gonna have to write a chorus
And this would seem to be as good as any other place to sing it till I’m blue in the face
Happy with what you have to be happy with
You have to be happy with what you have
To be happy with what you have
Happy with what you have to be happy with
You have to be happy with what you have
To be happy with what you have
You have to be happy with what you have to happy with
Then I guess I’ll repeat the chorus
We’re gonna repeat the chorus
I guess I’ll repeat the chorus
We’re gonna repeat the chorus
Then I guess I’ll repeat the chorus
We’re gonna repeat the chorus
I guess I’ll repeat the chorus
We’re gonna repeat the chorus
Happy with what you have to be happy with
You have to be happy with what you have
To be happy with what you have
Happy with what you have to be happy with
You have to be happy with what you have
To be happy with what you have
You have to be happy with what you have to happy with
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Robert Fripp: Guitar
Adrian Belew: Guitar and Vocals
Trey Gunn: Warr guitar, fretless Warr guitar
Pat Mastelotto: Traps and Buttons
Music by King Crimson, Words by Adrian Belew.
Recorded & Engineered by Machine at The Tracking Room, Studio Belew and Pat’s Garage.
Additional engineering: Jeff Juliano
Additional programming: Machine
Mixed by Machine, at the Mixing Room, Nashville; remixing at The Shop, Hoboken, NJ.
Produced by King Crimson & Machine.
Haiku Voice recorded at Studio Belew by Ken Latchney.
Voice source on Elektrik: Tim Faulkner.
“The Power To Believe: Coda” produced by The Vicar and Robert Fripp.
Soundscape recorded in live performance at Newlyn Church, Cornwall, on December 7, 1997.
Tone Probe production mastering (compilation, sequencing, editing) by David Singleton & Robert Fripp at DGM SoundWorld on behalf of King Crimson.
Cover artwork from a painting by .
Photograph by Paul Brown.
Package Art & Design by Hugh O’Donnell.
Robert Fripp plays Fernandes and 48th Street Guitars.
Trey Gunn’s touch guitars are made exclusively by Mark Warr of Warr Guitars.
Trey’s rack was built by Matt Hill of Smallmaker Music.
And thanks to:
Paiste, M-Audio, Drum Workshop, Vic Firth, Evans, Bill Saragosa, PDV, Jeff Kazen, Bill Munyon for additional sound design, Thunderbird, Drum Paradise, Jeff Duke, Con Noe, Ed Renolds, Jeff Ocheltree, Euphonic Audio, Line 6, SWR, Raven Labs, Charlie Hewitt, Adrian Molloy and Martha Belew.
King Crimson is managed worldwide by Discipline Global Mobile Ltd.
#KingCrimson
#RobertFripp
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