In 1994 Marlene Dumas began ‘Rejects’, a selection of portraits previously rejected from other series of her work. The artist talks about the works in this episode of TateShots.
The collection of anonymous and well-known faces has now evolved into its own stand-alone piece which the artist herself is constantly changing and reconstructing. It is the first artwork visitors will encounter in her exhibition ‘The Image as Burden’ at Tate Modern.
Who is Marlene Dumas? Find out more:
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