Joannes Carolus Diters von Dittersdorf (1739-1799) - Simphonia ex D ()

Alles Gute zum Geburtstag Joannes Carolus Diters von Dittersdorf! 📯🎭 Composer: Joannes Carolus Diters von Dittersdorf (1739-1799) Work: Simphonia ex D () Performers: Capella Clarοmοntana; Tomasz Wаbnіc (conductor) Simphonia ex D () 1. Adagio, allegro 0:00 2. Andante 3:56 3. Menuetto 9:05 4. Presto assai 11:58 Painting: Anton Radl (1772-1852) - Hahnenschlag in der Umgebung von Frankfurt am Main HD image: Further info: Listen free: No available --- Joannes Carolus (Carl) Diters von Dittersdorf (Vienna, 2 November 1739 - Neuhof [now Nový Dvůr], 24 October 1799) Austrian composer and violinist. Born to Paul Ditters, costumier at the imperial court and theatre in Vienna, and his wife Anna (née Vandelin), he received his earliest education at the Jesuit school in Vienna, where he displayed a precocious talent as a violinist, enough so that in 1751 he was performing with local court orchestras. Here he came to the attention of Giueseppe Bonno and Christoph Willibald von Gluck, the latter of whom took him with him to Italy in 1763. There Ditters achieved success as a virtuoso, and by 1765 he had been hired by Archbishop Adam Patachich as Michael Haydn’s successor at Großwerdein (now Oradea, Romania). He improved the quality of the ensemble, but in 1769 it was dissolved and Ditters relieved of his duties. He found other employment with the Archbishop of Breslau, Count Philipp Gotthard von Schaffgotsch as a state administrative functionary at Schloss Johannesberg (now Janský vrch, Poland), and in 1773 he was appointed as chief forester at nearby Javernig (Javornik). This appointment required aristocratic rank, and Ditters was ennobled as von Dittersdorf at Freiwaldau (Jeseník). In 1784 he returned to Vienna where he participated actively in the musical life of the city. His rank allowed him access to all levels of the court society, and his abilities earned him the friendship of colleagues such as Joseph Haydn and Wolfgang Amadeus Mozart, with whom he performed in a string quartet (the cellist was his student Jan Křtitel Vanhal). In 1790, however, he returned to music as Kapellmeister to Duke Carl Christian Erdmann zu Württemberg-Oels, a post that also included governmental administrative duties. He moved to Oels (Olésnice) and then Karlsruhe in Upper Silesia. A reversal of fortune caused him to retire in 1796, and he moved to the small town of Neuhof (Červená Lhota), where he died only a couple of days after completing his autobiography. He was a prolific and progressive composer, particularly with respect to his use of the characteristic symphony, sometimes based upon Classical stories. He was conventional in terms of his harmony, but his skill in contrasting instruments (as well as writing for unusual timbres and combinations) demonstrates a good sense of color. His formal structures are often conventional, and his textures mainly homophonic, but he was considered one of the foremost composers of Vienna during his day. He can be considered one of the most popular composers of Singspiels of his day, with one work, Doktor und Apotheker, achieving international success. The number of works composed demonstrates an almost inexhaustible creativity and includes: 127 symphonies (with another 90 likely, making him the most prolific composer in the genre of all time, if true), 18 violin concertos, five viola concertos, eight oboe concertos, four keyboard concertos, nine other concertos (for oboe d’amore, harp, contrabass, cello, flute, and two violins), four sinfonia concertantes (including two for string quartet and orchestra, one for viola, contrabass, and orchestra, and another for 11 solo instruments), four serenades, five cassations, 16 divertimentos, 18 string trios, seven string quartets, six horn quintets, six string quintets, 35 partitas, 72 preludes, 31 keyboard sonatas, 136 solo keyboard works, 16 violin sonatas, 32 operas, three concert arias, 16 secular cantatas, 16 Masses, a Requiem, four oratorios, 11 offertories, eight litanies, and 170 smaller sacred works such as Psalms, motets, and so forth.