Nǃai, the Story of a ǃKung Woman (1980) dir. John Marshall Adrienne Miesmer

Marshall compiled the footage of Nǃai over the course of 27 years. Marshall shot over 353,000 feet of color film during his expeditions into the Nyae-Nyae region. The footage of Nǃai as a young girl, including her wedding ceremonies, was recorded in 1951. “Before the white people came we did what we wanted,“ Nǃai recalls, describing the life she remembers as a child: following her mother to pick berries, roots, and nuts as the season changed; the division of giraffe meat; the kinds of rain; her resistance to her marriage to ǀGunda at the age of eight; and her changing feelings about her husband when he becomes a healer. As Nǃai speaks, the film presents scenes from the 1950s that show her as a young girl and a young wife. The film contains a scene from the filming of The Gods Must Be Crazy, with the actual, revealing words of the Bushmen involved translated. The uniqueness of Nǃai may lie in its tight integration of ethnography and history. While it portrays the changes in Juǀʼhoan society over thirty years, it never loses sight of the individual, Nǃai. The film is credited with the introduction of the dialogical structure, whereby both the voices of the filmmaker and the subject are woven together to tell the story. It is also credited as the first ethnographic film to recognize the influence of modernity on the ǃKung people.