No Tarab, No Arab

This short film, No Tarab, No Arab, serves as both a tribute to the rich musical traditions of Lebanon and the Arab world and a critique of the overwhelming decline in musical quality in contemporary Arab culture. The film begins with a stirring Lebanese patriotic track, composed by a now-deceased musical legend, whose influence resonates far beyond Lebanon, leaving an indelible mark on the Arab world. This piece evokes a deep sense of national pride, recalling a time when music was not just art, but a force that united people under a common identity. Next, the film transitions to two lively folkloric tracks performed by two female singers who are still alive today. One, a Lebanese artist, remains deeply connected to the authentic rhythms of Lebanese folklore, while the other, an Egyptian singer, brings her own regional influence to the mix. Despite their contemporary status, both artists carry the weight of a cultural heritage that transcends borders and has been passed down through generations. Their music serves as a reminder that true artistry endures, keeping alive the beautiful traditions of Arab and Lebanese folklore amidst a sea of fleeting trends. The film culminates in a dramatic and symbolic closing with an instrumental Tarab track, composed by a now-deceased master of the genre. Tarab, once the very soul of Arab music, is depicted through the visual metaphor of dancing skeletons. This powerful imagery serves as a critique of the “death“ of Tarab in modern Arab music. Where once this genre thrived, stirring deep emotions and moving entire generations, today it is largely abandoned in favor of mass-produced, shallow sounds that prioritize commercial success over artistic integrity. No Tarab, No Arab is a reflection on the painful transformation of Arab music. It challenges the rise of contemporary “ugly“ music, which strips away the cultural richness and profound emotional depth that once characterized the music of Lebanon and the Arab world. Through its careful selection of music—both from the past and present—the film questions what has been lost in this transition and calls for a return to the true essence of what made Arab music extraordinary.