This is the first in a series comparing the Hegel of Zizek to the Hegel of Adorno,. They compare Adorno’s theory of nonidentity to Zizek’s theory of the gap or parallax. In an effort to make these abstractions from critical theory concrete and fun, we turn to the absurdist science fiction film “Everything, Everywhere, All At Once” to provide some illustrations.
This first video is on Adorno.
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