Mian zhu, My drawing

This is the second episode of the series “I am here in Deyang“, which aims to discover and experience the humanities, history, scenery and cuisine of Deyang and its neighboring counties from a foreigner’s point of view, so as to publicize and promote Shu culture to the international community. This time, we have invited Camille, a staff member of the French Consulate in Chengdu, to participate in the film, and he will tell us about his search for the mysterious non-heritage in Mianzhu (at the request of Mr. Consul General, Camille’s work unit shall not be reflected in the video and publicity). Bufan, Camille Bouscaud, is a Frenchman who lives and works in China, and has given himself the Chinese name “Bufan“ because of his love for Chinese culture. Bu Fan’s mother is an art worker, during the exhibition of Mianzhu New Year’s Paintings in France, she was attracted by this folk art from the mysterious Shu area, and called it “the great oriental prints“, she will visit the Mianzhu New Year’s Paintings experience and experience to tell the young Bu Fan, Bu Fan was also attracted by his mother’s vivid narration. When Bufan grew up and came to China, he was guided by his mother’s description of the Mianzhu New Year’s Paintings in his memories, and longed to find out for himself the birthplace of this “great oriental art“. So, through the ancient and mysterious patterns in his memory, Bufan traveled to Mianzhu. Passionate about photography, he wandered in the alleys of Mianzhu, visited temples and museums to experience the historical heritage of Mianzhu; entered the Jiannanchun Brewery to feel the oriental wine culture inherited from the Tang Dynasty; came to People’s Park to communicate with the enthusiastic locals and feel their “BaShi“ life... Along the way, he was guided by the mysterious patterns found everywhere in the city and the mysterious patterns in the city, and he wanted to find the origin of this “great oriental art“ himself. Along the way, he finds clues to the New Year’s Paintings Village through the mysterious patterns of New Year’s Paintings that can be seen everywhere in the city. Finally, he came to the birthplace of “Oriental printmaking“ - Mianzhu New Year’s Paintings Village. Paper making, drafting, engraving, printing lines, coloring, craftsmen in the hands of 2,000 years of intangible cultural heritage heritage, so that Bu Fan was mesmerized, he saw the memory of China’s traditional culture. This intangible cultural heritage from the mysterious Shu domain, exquisite, in the mind of Bu Fan has a new definition: Mianzhu New Year’s Paintings, is a world-class art! Bu Fan, who has traveled all over the world, became deeply attached to the city of Mianzhu in just two or three days, so he was determined to stay here...