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This, the first of four lectures on artists who might be called the Four Great Masters of Southern Song Academy painting, introduces and discusses many works by Ma Yuan and his close followers and imitators, mostly landscapes with figures but also small scenes of birds-in-landscape and other subjects. Questions of authorship and authenticity, identifying the artist’s hand, are raised and considered in relation to the many works ascribed insecurely to Ma Yuan.
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2 months ago 01:27:20 1
А.Скляров: “Физика духа и основы практической магии“ Часть 1 new