Damien Hirst’s: Treasures of the Wreck of the Unbelievable
Critical Analysis of Damien Hirst’s new show in Venice, “Treasures of the Wreck of the Unbelievable“ . Most my objections would disappear if he openly acknowledge the people who physically made the work, and admitted he’s the director of an art factory, and not working independently to fashion the pieces her presents.
See Part 2 here:
You can read an illustrated version here:
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