Meyerhold’s Theater and Biomechanics - Screener

“Meyerhold! A mix of creative genius and human vulnerability. Innumerable, those in agony over his loss, whom, like myself, loved him endlessly. Innumerable moments of excitement for those, who witnessed the creative magic of this one time wizard of the stage.“ Sergei Eisenstein Is Meyerhold, framed and murdered by Stalin in 1940, the “greatest theater master“ (Eisenstein) of our century? Perhaps. He is without a doubt the most puzzling. Biomechanics was the core and culmination point of his theatrical concept. Its traces were disfigured, smeared, and distorted by history and politics. Its traces were searched and researched by many, including Jerzy Grotowski, Peter Brook and The Living Theater. In the 1990’s, after the opening of archives in the former Soviet Union, an original source of Biomechanics became known. Nikolai Kustow, the Biomechanics instructor in Meyerhold’s Theater, maintained a “hidden“ school and secretly passed on principles and etudes to a new