During the last years of his life, CPE, not unlike his father, was not interested in following fashions or the market, his main aim being to leave posterity a meaningful musical heritage. In a letter written in 1787 he declared that he had concluded his ‘work for the public and now wished to abandon the pen’ not least because the desire to see certain works published that would ‘bring him honour after his death’ had been fulfilled by the publication in 1786 of the Zwey Litaneien Wq204 and in 1787 of the cantata Die Auferstehung und Himmelfahrt Jesu Wq240.
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