Luciano Berio’s Coro is a large scale composition for forty voices and forty instruments.
Coro was written at a time when, according to Berio, “the blood in the streets of Italy came out“, partly due to the Years of Lead. Berio, a composer committed to social issues, often expressed his views and described the composition’s central theme to be “the acute awareness of things at a tragic moment. On this line, he referred to Coro as being a tribute to Chilean poet Pablo Neruda. In his opinion, Neruda was “practically murdered (not physically, but spiritually); they broke his heart. [...] It is an invitation to be aware of the violence of the times, Fascist violence“.
The distinction between individual and mass music is made clear in the use of two different kinds of text. On the one hand, Berio turned to folk poetry in various languages for the solo episodes. These folk utterances are often translated from a wide range of languages and dealt with very different topi
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