The building is introduced as a being approaching incarnation. It is composed in resonance with threefold man.
The leitmotif of the arch serves as a first example of the genesis of shapes.
With an aside on the Anthroposophical impulse in jewelry-making.
This presentation is part of a series:
1 The Project
2 The Seven Capitals
3 The Bases
4 The Architraves
5 The Twelve Columns
6 The Statue
7 The Windows
8 The Western Dome
9 The Eastern Dome
10 The Second Goetheanum
Other topics: Rembrandt, Polish Rider, Karl Stahl, Karl Stockmeyer, Malsch, Friedrich Husemann Klinik Wiesneck, Dornach, Hermann Ranzenberger, Kleinodienkunst, Gugelhupftopf
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